tag:blogger.com,1999:blog-76425329620167178562024-03-20T01:58:19.885+04:00Life in ArtSabina Shikhlinskaya - artist from AzerbaijanSabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comBlogger29125tag:blogger.com,1999:blog-7642532962016717856.post-39914250486594130672013-06-13T12:04:00.001+04:002013-06-13T12:05:14.473+04:00South Caucasus Contemporary Dance & Experimental Art Festival in Tbilisi, Royal District Theatre (2013). My video “Claustrophobia”, 2 channels, 35', edited version for the performance “GreenWax On” by Karl Karner And Linda Samaraweerova (Austria)<div dir="ltr" style="text-align: left;" trbidi="on">
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Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-76515496293460381472013-03-20T18:27:00.001+04:002013-03-20T18:27:26.225+04:00My participation in the exhibition "The Desire for Freedom. Art in Europe since 1945" in Palazzo Reale, Milan<div dir="ltr" style="text-align: left;" trbidi="on">
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Under the High Patronage of the President of the Italian Republic<br />
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XXX Council of Europe Exhibition<br />
<span style="font-size: x-large;">THE DESIRE FOR FREEDOM </span><br />
<span style="font-size: large;">Art in Europe since 1945 </span><br />
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Milan, Palazzo Reale<br />
14th March – 2nd June 2013<br />
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Milan, February 2013 - From the 14th March to the 2nd June 2013 Palazzo Reale will present The<br />
Desire for Freedom. Art in Europe since 1945, a great collective exhibition confronting the idea of<br />
Freedom in Europe from the postwar period onwards, through the thoughts and works of 94<br />
contemporary artists coming from 27 European countries.<br />
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Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-47187187889729005912013-01-12T16:53:00.003+04:002013-01-12T16:54:46.287+04:00Interview with me<div dir="ltr" style="text-align: left;" trbidi="on">
30th Council of Europe Art Exhibition<br />
The Desire for Freedom. Art in Europe since 1945<br />
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An exhibition of the German Historical Museum<br />
17 October 2012 to 10 February 2013<br />
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Curators: Monika Flacke, Henry Meyric Hughes, Ulrike Schmiegelt<br />
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Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-64647258312735337492012-11-10T18:30:00.002+04:002012-11-10T18:30:23.013+04:0030th Council of Europe Art Exhibition. “The Desire for Freedom. Art in Europe since 1945"<div dir="ltr" style="text-align: left;" trbidi="on">
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http://www.azerizv.az/news/a-11724.html</div>
Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-45562937213743205012012-11-10T18:25:00.000+04:002012-11-10T18:25:07.479+04:0030th Council of Europe Art Exhibition. “The Desire for Freedom. Art in Europe since 1945"<div dir="ltr" style="text-align: left;" trbidi="on">
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Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-33448144565296259562011-11-18T12:13:00.000+04:002011-11-18T12:23:09.205+04:00My participation in the exhibition ART-KYIV contemporary 2011<div dir="ltr" style="text-align: left;" trbidi="on">
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</div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comЛаврская ул., Киев, город Киев, Украина, 0200050.432571 30.55545610000001550.424974000000006 30.548848600000014 50.440168 30.562063600000016tag:blogger.com,1999:blog-7642532962016717856.post-62935032830526131302011-11-17T15:06:00.004+04:002011-11-17T15:16:01.183+04:00My participation in the exhibition”Proximity.<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-SP5nHpvnCrU/TsTp3q5fThI/AAAAAAAAAt4/fd-KAN6WW3E/s1600/%2521Invitation_Proches.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-SP5nHpvnCrU/TsTp3q5fThI/AAAAAAAAAt4/fd-KAN6WW3E/s400/%2521Invitation_Proches.jpg" width="385" /></a></div><br />
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<div class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-family: 'Times New Roman', serif;"><b><span style="font-size: large;">"Proximity"</span></b><span style="font-size: medium;"><o:p></o:p></span></span></div><div><br />
</div><b><span style="font-size: large;">A joint exhibition of PROUN Gallery and the Intergovernmental Foundation for Educational, Scientific and Cultural Cooperation</span></b><br />
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</b></span>Docks on the Seine (Paris, quai d’ Austerlitz, 34)<br />
November 18—28, 2011<br />
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</div><div class="MsoNormal" style="margin-bottom: 0.0001pt;"><b>"Proximity" is a visual experiment in conjunction with the 20th anniversary of the CIS. The project brings together traditional arts, the avant-garde, and innovative contemporary art practices from eleven CIS member countries. </b><br />
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</span></span></div>Geographical "proximity," as well as a common historical experience of seventy years (during the period of the U.S.S.R., 1922-1991), have given rise to many parallel cultural processes among the countries of the former Soviet Union. Soviet isolation from global movements and trends in artistic production resulted in an insulated, self-contained milieu. In the aftermath of the U.S.S.R.'s collapse, artists sought more and more to integrate themselves into the global artistic context. On the other hand, they also looked to their own national cultures for ways to restore cultural understandings, tighten the bonds between historical periods, and mend the radical breakages that the 70-year Soviet Empire created. "Proximity" in this sense is at once a concept of space, describing the parallel movement of like-minded artists from various countries and cultures, as well as a concept of time -- or, rather, its overcoming. Almagul Menlibayeva, for example, melds together archaic images with images from the recent Soviet past, setting her allegorical scenes among the eternal landscapes of the Kazakh desert. These landscapes also inspired artists of the early twentieth century such Pavel Kuznetsov, who is represented in this exhibition. The experiments of Vyacheslav Useinov (Uzbekistan), Mykola Matsenko, and Oleg Tistol (Ukraine), all aim towards exploring the plastic structures of traditional ornament, with its regularity and repetition. Just as the Ukrainian plakhta (women's apron) and ryadno (traditional "striped" carpets) influenced the development of forms in the radical avant-garde, the works of Matsenko and Tistol re-inject the archaic ornament into the field of contemporary culture, now enriched with new meaning and immersed in new contexts.<br />
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For many artists of the former U.S.S.R., the commonality of the experience they shared with their cultural neighbors (that which puts them in "proximity), resides in the desire to formally describe the harsh political and social situation, and find an opening through which to break free into a more desirable space. At times, as in the work of Jamshed Kholikov (Tajikistan), such description of grim reality is tinged with a sentimental nostalgia for the "togetherness" of daily life in the communal apartment -- a lifestyle instantly recognizable down to the smallest detail. <br />
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This exhibition project highlights nuanced connections among various epochs and generations of artists. It invites the viewer to experience a common cultural space, while at the same time insisting on the possibility of a truly powerful artistic force emerging in each country of the former U.S.S.R. <br />
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Artifacts of material culture are on display in the exhibit alongside works of the Russian and Ukrainian avant-garde, as well as works by contemporary artists working in various media-- from traditional oil-on-canvas to the most technically advanced video installation. <br />
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Participating artists: Faig Ahmed (Azerbaijan),Leyla Akhundzadeh (Azerbaijan),Said Atabekov (Kazakhstan),Mher Azatyan (Armenia),Serge Essaian (Armenia/France), Tatiana Fiodorova (Moldova), Linda Gandjian (USA),Tarlan Gorchu (Azerbaijan), Francisco Infante (Russia), Bahram Khalilov (Azerbaijan), Jamshed Kholikov (Tajikistan), Anastasia Khoroshilova (Russia/Germany), Alexei Kostroma (Russia / Germany), Sergey Leontiev (Russia), Andrei Liankevich (Belarus), Galim Madanov & Zauresh Terekbay (Kazakhstan), Mykola Matsenko (Ukrain), Erbossyn Meldibekov (Kazakhstan), Almagul Menlibayeva (Kazakhstan), Ekaterina Nikonorova (Kazakhstan), Talant Ogobaev (Kyrgyzstan), Ghenadie Popescu (Moldova), Alexei Rumyantsev (Tajikistan), Valery Ruppel (Kyrgyzstan), Adis Seitaliev (Kyrgyzstan), Arystanbek Shalbaev (Kazakhstan), Sabina Shikhlinskaya (Azerbaijan), Sergey Shutov (Russia), Leonid Tishkov (Russia), Oleg Tistol (Ukrain), Vyacheslav Useinov (Uzbekistan), Oleg Yushko (Belarus), Oxana Zhgirovskaya (Belarus).<br />
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Artists of the Russian avant-garde: Kazimir Malevich, Ilya Chashnik, Nikolay Suetin, Konstantin Rozhdestvensky, Pavel Kuznetsov, Vassily Ermilov, Victor Ufimtsev. <br />
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<b><span style="font-size: large;">«Рядом»<br />
Совместный выставочный проект галереи ПРОУН и Межгосударственного фонда гуманитарного сотрудничества</span></b><br />
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</div>Доки на Сене (Набережная Аустерлиц, 34, Париж)<br />
Выставка работает с 18 по 28 ноября 2011 <br />
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<b>Проект «Рядом», приуроченный к 20-тилетнему юбилею образования Содружества независимых государств, представляет собой визуальное исследование, объединяющее традиционное искусство, авангард и самые актуальные творческие практики художников из 11 стран-участниц СНГ. </b><br />
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Географическое нахождение «рядом», общая политическая история на протяжении без малого 70 лет (в период существования Советского Союза с 1922 по 1991 гг.) определили сходство и преемственность многих культурных процессов, происходящих в отдельных странах бывшего Союза. Советская изолированность от общемирового движения и художественных поисков создавала замкнутую среду, известную обособленность. После распада СССР сильнее и очевиднее стало желание художников, с одной стороны, вписаться в мировой художественный контекст, а с другой, найти в своей собственной национальной культуре нечто, что восстанавливает естественные культурные отношения, продолжает связь времен, восполняет драматический разрыв, образовавшийся за 70 лет существования Советской империи. «Рядом» в данном случае – понятие одновременно пространственное, описывающее параллельное, но вместе с тем очень близкое движение художников из разных стран и культур, и относящееся ко времени, вернее, к его преодолению. Так, например, у Алмагуль Менлибаевой образы из недавнего советского и совсем архаического прошлого сплавляются в аллегорические сцены на фоне пустынных пейзажей вечной казахской пустыни, которая вдохновляла художников начала ХХ века, и среди них —представленного в экспозиции Павла Кузнецова. Для других — Вячеслава Усейнова (Узбекистан), Николая Маценко, Олега Тистола (Украина) — направление художественного эксперимента задается пластической структурой традиционного орнамента, регулярностью повторения: подобно тому, как украинские плахты (женский передник) и рядна (традиционные «полосатые» ковры) влияли на формообразование радикального авангарда, в работах Маценко и Тистола древний орнамент возвращается в поле современной культуры, насыщаясь новыми смыслами и погружаясь в другие контексты. <br />
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Для многих современных художников из стран бывшего СССР общим сюжетом особого культурного соседства (что опять же ставит в их положение «рядом») становится попытка зафиксировать угрюмую политическую и социальную реальность и найти из нее выход, осуществить прорыв в более благополучное пространство. Иногда, правда, описание мрачной действительности окрашено сентиментальной ностальгией (как в работах Джамшеда Холикова) по «общей» жизни, коммунальному, узнаваемому до мельчайшей детали быту.<br />
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Выставочный проект выстраивает тонкие связи между различными эпохами и поколениями художников, дает увидеть зрителю общее культурное пространство, вместе с тем настаивая на возможности и действенной силе искусства каждой из стран бывшего Союза. <br />
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На выставке будут представлены предметы материальной культуры, произведения русского и украинского авангарда, работы современных художников, выполненные в разных медиа, от традиционных (холст/масло) до новейших, включая видеоинсталляции.<br />
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Современные художники, которых увидят в Париже: Мгер Азатян (Армения), Саид Атабеков (Казахстан), Фаиг Ахмед (Азербайджан), Лейла Ахундзаде (Азербайджан), Линда Ганджян (США), Тарлан Горчу (Азербайджан), Сергей Есаян (Армения/Франция), Оксана Жгировская (Беларусь), Франциско Инфанте (Россия), Алексей Кострома (Россия/Германия), Андрей Ленкевич (Беларусь), Сергей Леонтьев (Россия), Галим Маданов и Зауреш Терекбай (Казахстан), Николай Маценко (Украина), Ербосын Мельдибеков (Казахстан), Алмагуль Менлибаева (Казахстан), Екатерина Никонорова (Казахстан), Талант Огобаев (Кыргызстан), Геннадий Попеску (Молдова), Алексей Румянцев (Таджикистан), Валерий Руппель (Кыргызстан), Адис Сейталиев (Кыргызстан), Олег Тистол (Украина), Леонид Тишков (Россия), Вячеслав (Юра) Усеинов (Узбекистан), Татьяна Федорова (Молдова), Бахрам Халилов (Азербайджан), Джамшед Холиков (Таджикистан), Анастасия Хорошилова (Россия/Германия), Арыстанбек Шалбаев (Казахстан), Сабина Шихлинская (Азербайджан), Сергей Шутов (Россия), Олег Юшко (Беларусь).<br />
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Художники авангарда: Казимир Малевич, Илья Чашник, Николай Суетин, Константин Рождественский, Павел Кузнецов, Василий Ермилов, Виктор Уфимцев.<br />
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Страны-участницы: Азербайджан, Армения, Беларусь, Казахстан, Кыргызстан, Молдова, Россия, Таджикистан, Туркмения, Узбекистан, Украина.</div></div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comСалпетриер, Париж, Франция48.8402791 2.370127799999977548.832942599999996 2.3585152999999774 48.8476156 2.3817402999999775tag:blogger.com,1999:blog-7642532962016717856.post-32402717518123456732011-08-14T11:17:00.000+04:002011-08-14T11:17:17.886+04:00"Ship 'Bolshevik Nariman Narimanov'" in exhibition "The Journey to the East". Galeria Arsenal, Bialystok, Poland. 05/08/2011<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-qHSlzCGSnSo/Tkd0WtXfKPI/AAAAAAAAAsY/XvLp2c4Jhgg/s1600/P1050789.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://2.bp.blogspot.com/-qHSlzCGSnSo/Tkd0WtXfKPI/AAAAAAAAAsY/XvLp2c4Jhgg/s400/P1050789.JPG" width="400" /></a></div><br />
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</div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comБелосток, Польша53.132488599999988 23.16884030000005653.071681599999991 23.078108800000056 53.193295599999985 23.259571800000057tag:blogger.com,1999:blog-7642532962016717856.post-34214834441985918342011-08-14T11:14:00.001+04:002011-08-14T11:17:30.195+04:00"Dangerous Red" in exhibition "The Journey to the East". Galeria Arsenal, Bialystok, Poland. 05/08/2011<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-CBNME79pnpE/Tkd0QtRbFvI/AAAAAAAAAr8/IylMXP62yno/s1600/P1050707.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://2.bp.blogspot.com/-CBNME79pnpE/Tkd0QtRbFvI/AAAAAAAAAr8/IylMXP62yno/s400/P1050707.JPG" width="400" /></a></div><br />
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</div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comБелосток, Польша53.132488599999988 23.16884030000005653.071681599999991 23.078108800000056 53.193295599999985 23.259571800000057tag:blogger.com,1999:blog-7642532962016717856.post-74127284700105034092011-07-13T16:48:00.004+04:002013-01-12T16:40:56.245+04:00Portrait of 19 Million/Портрет 19 миллионов: Contributions to "Portrait of 19 Million" Part 1<div dir="ltr" style="text-align: left;" trbidi="on">
“Impossible Community”, project “Portrait of 19 million”, State Museum of Modern Art of the Russian Academy of Arts, Moscow, Russia<br />
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<span style="font-family: sans-serif; font-size: x-small;"><span style="line-height: 19px;"><a href="http://portraitof19million.blogspot.com/">Portrait of 19 Million/Портрет 19 миллионов</a></span></span><br />
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Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-80432565077255222372011-07-13T16:43:00.002+04:002013-01-12T16:50:47.498+04:00II международный фестиваль Шелковый путь проводимый Союзом Композиторов при поддержке Министерства Культуры и Туризма Азербайджана<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="text-align: justify;">В Баку состоялся второй международный музыкальный фестиваль под названием «Шелковый путь», приуроченный ко дню Независимости страны и проведенный Союзом композиторов Азербайджана при участии Министерства Культуры и Туризма Республики. Инициатива и концепция фестиваля «Шелковый путь» принадлежала председателю Союза Композиторов народной артистке Азербайджана Фирангиз Ализаде.</span><br />
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В рамках этого фестиваля состоялся показ одной работы заслуженной художницы Азербайджана Сабины Шихлинской, в частности, мультимедийной инсталляции, сопровождаемой музыкальными отрывками из произведений норвежского композитора Эдварда Грига. В своей инсталляции Сабина Шихлинская демонстрирует блестящий синтез изобразительного искусства, литературы и музыки.<br />
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Первоначально, во время нахождения автора в Норвегии, 6 лет назад, была создана графическая серия офортов «Водоворот». Последующим этапом послужило воссоединение с творчеством поэтессы Ешим Агаоглу, уже достаточно известной азербайджанской аудитории. В стихотворении «Могу ли я тебе не посвящать стихов?..» художница встретила поэтические образы, созвучные собственным внутренним чувствам. О счастье зрелой любви, открывающим нам красоты окружающего мира с новых высот. С согласия Ешим Агаоглу в инсталляции использованы эти стихи, служащие неотъемлемой частью концепции.</div>
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Автор, для своей инсталляции, подобрала один из самых известных «андерсоновских» романсов Грига «Сердце поэта», из цикла «Мелодии сердца». В музыке «Сердце поэта», признание в любви сопровождается огромным душевным подъемом, где упоение страстью ассоциируется в нем с бурной морской стихией. В далекой Норвегии существует такое народное поверье, что под симфоническую музыку Эдварда Грига можно выловить больше рыбы. Художница добавила еще новые рисунки, которые послужили основой главной составной инсталляции – анимационной кульминацией. (Фрагменты работ, где рыбы «превратились» в анимацию). </div>
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Органичное воссоединение разных искусств в единую художественную целостность в этой инсталляции позволило автору Сабине Шихлинской эстетически организовать новую нематериальную духовную среду. Образное и композиционное единство поэзии, анимации и музыки связало на новом уровне художественную организацию пространства и времени, где в согласованности масштабов, пропорций и ритма мультимедийная инсталляция активизирует восприятие, демонстрируя многоплановость и многогранность развития художественной идеи, а также оказывая многостороннее эмоциональное воздействие на искушенных зрителей. </div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Наида Самедова, искусствовед</i></b><br />
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Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-80399076549307525262011-01-12T14:50:00.000+04:002011-01-12T14:50:26.824+04:00Land Art 1999-2010<div class="separator" style="clear: both; text-align: center;"><a href="http://sabina-art.blogspot.com/p/land-art.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/_iPb3H8aOPZA/TS2HGRNF4CI/AAAAAAAAAe8/FNmfFXY0xcM/s320/Land+Art+2+-+%2527%2527Fire%2527%2527.JPG" width="226" /></a></div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-87385399915440304232011-01-10T16:23:00.003+04:002011-01-12T11:49:21.428+04:00Graphics 1996-2010<div class="separator" style="clear: both; text-align: center;"><a href="http://sabina-art.blogspot.com/p/grafix.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="http://3.bp.blogspot.com/_iPb3H8aOPZA/TSr5NxXFmiI/AAAAAAAAAdQ/uC5yoNlhZis/s400/grafix.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><a name='more'></a><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://sabina-art.blogspot.com/p/grafix.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="165" src="http://1.bp.blogspot.com/_iPb3H8aOPZA/TSr57ju42NI/AAAAAAAAAdU/zU4QQ-mEm9c/s200/DSC_0633.JPG" width="200" /></a></div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-4272763233873605712011-01-07T22:13:00.003+04:002011-01-12T11:47:39.386+04:00Paintings 1986-2010<div class="separator" style="clear: both; text-align: center;"><a href="http://sabina-art.blogspot.com/p/paintings.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="282" src="http://1.bp.blogspot.com/_iPb3H8aOPZA/TSLyTNyaWMI/AAAAAAAAAKM/d0tG-F_XnWw/s400/Painting-1.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-16836056949763484962010-12-13T09:37:00.003+04:002011-01-15T13:39:30.297+04:00"Dangerous Red'<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/_iPb3H8aOPZA/TRhu9R4zOeI/AAAAAAAAAAY/XqXqSttpVSI/s1600/Sabina+SHIKHLINSKAYA.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="409" src="http://1.bp.blogspot.com/_iPb3H8aOPZA/TRhu9R4zOeI/AAAAAAAAAAY/XqXqSttpVSI/s640/Sabina+SHIKHLINSKAYA.jpg" width="640" /> </a></div><div align="justify" class="separator" style="clear: both; text-align: center;"></div><br />
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In the monotonous silence of everyday life there exists a danger of violence, agression and death. At any moment the statics may be turned into dynamics, quietness - into catastrophe<a href="http://novinki2011.ru/">.</a>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-7613955582926840112010-12-12T16:57:00.007+04:002011-01-07T18:18:04.505+04:00Photos "Dangerous Red" creating process.<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_iPb3H8aOPZA/TSHHpyDhvVI/AAAAAAAAACQ/p7YhrRSEn9E/s1600/DSC_0327.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="http://4.bp.blogspot.com/_iPb3H8aOPZA/TSHHpyDhvVI/AAAAAAAAACQ/p7YhrRSEn9E/s640/DSC_0327.JPG" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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</div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-11668372292847846122010-12-03T16:11:00.006+04:002011-01-07T18:16:50.970+04:00Presentations of "Dangerous Red".<span lang="EN-US" style="font-family: 'Times New Roman', serif; font-size: 12pt;"><b>“Dangerous Red”</b>, one from her latest works, is a commentary on violence and its presence in everyday life. As installation it was exhibited in Poland, Norway, Georgia and in Azerbaijan in 2009 -2010</span><br />
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<b>Presentation of "Dangerous Red" in the frame of "USSR-remix" project, 2010, Tou Scene, Center for Contemporary Art, Stavanger, Norway.</b><br />
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</div><b>Presentation of "Dangerous Red" in the frame of USSR-remix project, 2010, Center of Contemporary Art, Baku, Azerbaijan</b><br />
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</b></div><b>Presentation of "Dangerous Red" in the frame of "Transkaukazia" festival of arts, “Zamok Uyazdovski” Contemporary art Centre, Warsaw, Poland. 2009</b><br />
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<b>Presentation of "Dangerous Red" in the frame of “Artisterium” 2nd Tbilisi International Contemporary Art Exhibition and Art Events, Georgia, 2009.</b><br />
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</b>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-26155960110699396992010-11-27T14:50:00.001+04:002011-01-04T09:42:48.949+04:00"Dangerous Red', video installation, 3', 2008, DVD<object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/Qk4OjUAeB7E?fs=1&hl=ru_RU&color1=0x3a3a3a&color2=0x999999"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/Qk4OjUAeB7E?fs=1&hl=ru_RU&color1=0x3a3a3a&color2=0x999999" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br />
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<div style="text-align: center;"><b>Armageddon - the End of Humanity, the Death and Oblivion ...</b></div>The notion of End is embedded in any Beginning. Nothing lasts forever, and a timer of the End - of the Death - is starting with the birth. Let only physical death. Because it is possible to believe that the spirit is eternal. However, this is just a conjecture, while inevitability of<br />
<a name='more'></a> the physical end is a fact.<br />
Existence is tragic by itself. Humanity, in its majority, finds no popular thinking about the finiteness of life and its transience, and chooses the way to live without thinking about the future<br />
Often this leads to the fact that natural disasters are added by the catastrophes of an unreasonable human behavior - wars, terrorism, traffic accidents, ecological disasters caused by poor management of human activities, technology development through the destruction of nature and a lot more of what we are silent and often indifferent witnesses.<br />
In addition to everything, a human being as the most highly developed of living creatures, is also the most cruel one. We deprive the lives of other living beings, not only because of the need to extend our own lives, but sometimes just by inertia or misunderstanding. And that's the most awful - because of incomprehension of the value of each individual life and the coherence of all living things in the universe.<br />
The alternative to reflection about what is happening is often chosen to live today's life and to enjoy short-term pleasures. This is reminiscent of "Feast in the Time of Plague". The End is so near, death knocks at our door, but we're passionate about the "feast" ...Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-15301736692545189462006-11-03T17:31:00.025+04:002011-01-04T12:05:03.603+04:00Presentation of “Ship Bolshevik Nariman Narimanov”<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_iPb3H8aOPZA/TSHNcsscbsI/AAAAAAAAAD4/ClSZhj_Qm2A/s1600/Ship+fon2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="568" src="http://3.bp.blogspot.com/_iPb3H8aOPZA/TSHNcsscbsI/AAAAAAAAAD4/ClSZhj_Qm2A/s640/Ship+fon2.jpg" width="640" /></a></div><br />
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<b>Presentation of “Ship Bolshevik Nariman Narimanov” in the frame of "USSR-remix" project, 2010, Tou Scene, Center for Contemporary Art, Stavanger, Norway.</b><br />
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<b>Presentation of “Ship Bolshevik Nariman Narimanov” in the frame of USSR-remix project, 2008, Dresden Museum of Art, Germany</b><br />
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</div><div class="separator" style="clear: both; text-align: left;"><b>Presentation of “Ship Bolshevik Nariman Narimanov” in the frame of "Transkaukazia" festival of arts, Warsaw, Poland. 2008</b></div><br />
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</div><div class="separator" style="clear: both; text-align: left;"><b>Presentation of “Ship Bolshevik Nariman Narimanov” </b><b>in the frame of USSR-remix project, 2008, Center of Contemporary Art, Baku, Azerbaijan</b></div><div class="separator" style="clear: both; text-align: left;"><b><br />
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</b>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-65092778368923889572006-10-10T09:44:00.004+04:002011-01-04T09:48:50.817+04:00“Ship Bolshevik Nariman Narimanov” video installation, 2 channels, 7" 2006<object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/mIdbRRiG23E?fs=1&hl=ru_RU"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/mIdbRRiG23E?fs=1&hl=ru_RU" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-73283100983301381822006-10-03T17:08:00.002+04:002011-01-04T09:47:12.040+04:00“Ship Bolshevik Nariman Narimanov” video installation, 2 channels, 7" 2006<object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/9_khd1aCOvo?fs=1&hl=ru_RU"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/9_khd1aCOvo?fs=1&hl=ru_RU" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br />
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The Azerbaijanian artists who are now in their 40-ies were born and grown up in the Soviet Union. The dramatic shift in political and economic systems accompanied by total overhaul of values and life priorities presumably had <br />
<a name='more'></a>to somehow influence their creativity. Sabina Shiklinskaya has interviewed several fellow artists from her generation with the same question about which trace the break of established 'living system' has left on the personal histories of the artists. Surprisingly enough, almost all colleagues quite unanimously confess that they were obsessed all these years with matters other than fall of Communist power.<br />
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Slowly sinking remnants of a ship on the shore of Caspian sea recall to artist the Soviet past – the mixed feelings of fading away memories and dreams of happy childhood related with sea cruises and the grandeur of a powerful vessel, and at the same time that terrible dance macabre of the oppressive machine of Communist regime which all is in the past, just like the old vessel now is sentenced to decay by rust, water and winds. Visualization of the shared common past - the vessel - is juxtaposed with multiple expressions of current moment as each of interviewed artists perceives it.<br />
<div style="text-align: right;"><b>J. Selimkhanov, critic</b></div><div style="text-align: right;"><b><br />
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</b></div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-16241269052823960522006-10-02T17:18:00.003+04:002011-01-12T11:50:36.068+04:00“Ship Bolshevik Nariman Narimanov”<span lang="EN-US" style="font-family: 'Times New Roman', serif; font-size: 12pt;">In 2006 I made my video project “ Ship Bolshevik Narimam Narimanov” - filming an abandoned Soviet shipwreck and combining the visual image with interviews of artists on the subject of post-Soviet change and stagnation</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/_iPb3H8aOPZA/TSHNiwmNxGI/AAAAAAAAAEE/GoouLsh8qMo/s1600/ship+3+main.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="428" src="http://2.bp.blogspot.com/_iPb3H8aOPZA/TSHNiwmNxGI/AAAAAAAAAEE/GoouLsh8qMo/s640/ship+3+main.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">photo by Sanan Aleskerov</td></tr>
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<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_iPb3H8aOPZA/TSHNntSug8I/AAAAAAAAAEQ/ZEVpVKScEY0/s1600/Sabina+shikhlinskaya9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="524" src="http://2.bp.blogspot.com/_iPb3H8aOPZA/TSHNntSug8I/AAAAAAAAAEQ/ZEVpVKScEY0/s640/Sabina+shikhlinskaya9.jpg" width="640" /></a></div><span lang="EN-US" style="font-family: 'Times New Roman', serif; font-size: 12pt;"><br />
</span>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-87631660669909338592006-08-17T12:20:00.000+04:002011-01-07T17:44:08.489+04:00Labirinth Group on the Ship.<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_iPb3H8aOPZA/TSLX8nHDHdI/AAAAAAAAAGA/AQktEuafYdo/s1600/DSC_0001.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="http://4.bp.blogspot.com/_iPb3H8aOPZA/TSLX8nHDHdI/AAAAAAAAAGA/AQktEuafYdo/s640/DSC_0001.JPG" width="640" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_iPb3H8aOPZA/TSLX6i_C8fI/AAAAAAAAAGM/sRGJgZI-cNk/s1600/DSC_0185.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="http://2.bp.blogspot.com/_iPb3H8aOPZA/TSLX6i_C8fI/AAAAAAAAAGM/sRGJgZI-cNk/s640/DSC_0185.JPG" width="640" /></a></div>Sabinahttp://www.blogger.com/profile/00746696208019223222noreply@blogger.comtag:blogger.com,1999:blog-7642532962016717856.post-43256533119255440642006-06-23T13:29:00.006+04:002011-01-04T13:34:36.263+04:00Presentation of "Hamam" project in Cappadokia, Turkey.<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/_iPb3H8aOPZA/TSLpNOVx-RI/AAAAAAAAAIE/BW7UVRkZqEo/s1600/DSC_0001.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="http://1.bp.blogspot.com/_iPb3H8aOPZA/TSLpNOVx-RI/AAAAAAAAAIE/BW7UVRkZqEo/s640/DSC_0001.JPG" width="640" /></a></div><br />
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